Heidegger’s Temple
Heidegger’s Temple offers layers of metaphor, exquisitely composed, that beckon us to ponder new ideas and complex states of feeling as sensuous discoveries, freshly illumined philosophic landscapes where order doesn’t depend on the centrality of the human. Slachman is not content with art as allusion merely; instead she imaginatively inhabits a given sensibility, making that way of seeing palpable. The artist most deeply alive in this collection is Rainer Maria Rilke; his tragic sense of death as life’s most basic process fits well with Slachman’s edgier voice and her vigilant resistance to unearned harmonies.
--Beth Ash